Nights
Nikolai Neerenberg
A graphite-stained sky (minus the moon)
Watches my copper-stained fingers
Pinching the near immolated corpse of
A bay leaf with an inscription to leave the past alone
Used seconds later to set a joint alight
An inhale forcing my mind into a daze
No coughing escapes though
Both her and I expect that by now
A graphite-stained sky (moon a sliver to the right)
Watches as I sit in the ill-fitted back doorway
Not knowing that I look up at her
The way she looks down upon me
In our shared silence
There’s an understanding between us
It’s gone as we both get distracted
By a bat flying through the yard
A graphite-stained sky (moon a quarter full)
Watches as two twin flames burn down
Cord looped around candle sticks
Burning and severing
I also watch the burn
Ignoring that the candle representing me
Holds on to the cord for as long as the flame will allow
While the one representing [redacted] let go first
A graphite-stained sky (moon almost full)
Watches my still copper-stained fingers
In their continued green-blue glory
Painted scenery drying taped to my desk
Eyes glance up
At clouds that surround her
For a second a wish that I could paint them both
Blinks through my head
A graphite-stained sky (moon finally full)
Watches people ask her to recharge their crystals
To bring them power that some never return
She’s grateful to the ones that do
We’re both glad they never ask the same the rest of the month
I end up analyzing the almost-forest that surrounds me
Attaching to memory the past sea deep greens that could only be viewed
Due to her light being brighter than the one on the sidewalk
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Author Bio
Nikolai Neerenberg: I am a queer, feral artist who keeps trying new things and ending up surprised when it works. My writing tends to happen when an idea can’t be conveyed visually, and my visual arts happens due to the inverse. The need to create just seeps into my bones, and I only control the inspiration. My poem, “Nights,” was the result of many late night conversations between me and the moon, as well as the less orthodox approaches I’ve taken to separate myself from my past.
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